Saturday, 30 October 2010
Michael & Ana At Disney D23 Destination
Ohh, Arrgh! Me Hearties!! Shiver me timbers! This was posted by c2giraffe on Twitter this week: it's a photo he took of Michael and Ana Ortiz at Disney D23 Destination that was held this week I think. Both look like they had fun, especially Michael! :-)
http://twitpic.com/31nmve
Thanks to c2giraffe for this!
Labels:
ana ortiz,
michael urie
Sunday, 24 October 2010
Ugly Betty Fan Art
Not So Ugly by ~mjOboe
Besties By OtherButtonJones
Ugly Betty By ~lozzer (below)
Amanda and Marc by Nisselmann123456789 and sketched by E-J-C
Ugly Betty by ~Katarina-f on deviantART
Katatrina F - Betty Suarez (season 2)
Above is some more fab Ugly Betty fan art courtesy of Deviant Art- check it out! :-)
Labels:
ugly betty fan art
Saturday, 23 October 2010
Ugly Betty Will NOT Be Coming Back For A 5th Season
I have been treading on various websites and people asking about Ugly Betty and how amazing this show is and some are still expecting when it will come back on our screens.
It won't. Sorry, but that is true.
Season 4 is still airing in the U.K as I type this- and yet fans are wondering if there is going to be a 5th season.
To those still wondering when and will series 5 will be on TV, the answer is it isn't. The final ever episode aired in April of this year in the U.S, and just finished airing around a month, 2 months ago in Australia and other parts of the world.
The reason why Ugly Betty won't be coming back is because it was cancelled as far as back as JANUARY of this year when ABC network announced that the show would be axed, as a result of the low viewing figures in the U.S. The show had been struggling in the ratings during seasons 3 and 4, and it never managed to surpass beyond the 6 million viewers mark. Contrast that to season 1 which attained 9 million or more a week.
So yes, Ugly Betty only lasted 4 seasons/series, which is a shame but yes, sadly it happens in the world of American TV- if a show, no matter how big a fan-base it has, doesn't do well in its native country, then unfortunately, networks are in no hesitation to get rid of it or stop airing the show altogether.
That is the harsh reality of television these days.
Waiching
It won't. Sorry, but that is true.
Season 4 is still airing in the U.K as I type this- and yet fans are wondering if there is going to be a 5th season.
To those still wondering when and will series 5 will be on TV, the answer is it isn't. The final ever episode aired in April of this year in the U.S, and just finished airing around a month, 2 months ago in Australia and other parts of the world.
The reason why Ugly Betty won't be coming back is because it was cancelled as far as back as JANUARY of this year when ABC network announced that the show would be axed, as a result of the low viewing figures in the U.S. The show had been struggling in the ratings during seasons 3 and 4, and it never managed to surpass beyond the 6 million viewers mark. Contrast that to season 1 which attained 9 million or more a week.
So yes, Ugly Betty only lasted 4 seasons/series, which is a shame but yes, sadly it happens in the world of American TV- if a show, no matter how big a fan-base it has, doesn't do well in its native country, then unfortunately, networks are in no hesitation to get rid of it or stop airing the show altogether.
That is the harsh reality of television these days.
Waiching
Friday, 22 October 2010
Ugly Betty Airings Around the World This Week & Next Week
Australia
Saturday October 23, 6.30pm- 7.30pm
Arena (Cable)
Grin and Bear It- Season 2
Sunday October 24, 9.00am-10.00am
7TWO
I'm Coming Out- Season 1
South Africa
M.Net are airing repeats on Sundays at 11.30pm and Mondays at 5.30am and 11.30am
U.K
Sunday October 24, 12.00pm- 1.00pm
Channel 4
Back In Her Place- Season 4
Wednesday October 27, 9.00pm- 10.00pm
E4
Blackout! -Season 4
U.S
TV Guide Network is currently airing all four seasons of Ugly Betty in a marathon style block
Sunday October 24 11.00am - 3.00pm
TV Guide Network
Odor In The Court, A Thousand Words By Friday, 24 Candles, Burning Questions, Betty's Baby Bump
By next week, they will air the last 2 season 2 eps, as well as air season 3 episodes out of order with some season 1 episodes thrown in as well.
TV Guide- Listings
China
Saturday October 23 4.10pm - 5.10pm
Star World
Title of episode not stated
Labels:
global,
TV airings
Season 4 U.K .Ratings *Update*
Here are the figures for season 4 of Ugly Betty from the U.K on E4 and E4+1
From September 8- October 6 2010
Plus None
September 8
E4 801
E4+1 200
Total no. of viewers 1,001
Backseat Betty
September 15
E4 827
E4+1 N/A
Total no. of viewers 827 (down from 174 viewers)
Level (7) With Me
September 22
E4 842
E4+1 N/A
Total no. of viewers 842 (up by 15 viewers from last episode)
The Bahamas Triangle
September 29
E4 938
E4+1 268
Total no. of viewers 1, 206 (up by 364 from last episode)
Be Shure
October 6
E4 892
E4+1 316
*Total no. of viewers 1, 208 (up by 2 from last episode)
Wikipedia: Ugly Betty Season 4 U.K Ratings
From September 8- October 6 2010
Plus None
September 8
E4 801
E4+1 200
Total no. of viewers 1,001
Backseat Betty
September 15
E4 827
E4+1 N/A
Total no. of viewers 827 (down from 174 viewers)
Level (7) With Me
September 22
E4 842
E4+1 N/A
Total no. of viewers 842 (up by 15 viewers from last episode)
The Bahamas Triangle
September 29
E4 938
E4+1 268
Total no. of viewers 1, 206 (up by 364 from last episode)
Be Shure
October 6
E4 892
E4+1 316
*Total no. of viewers 1, 208 (up by 2 from last episode)
Wikipedia: Ugly Betty Season 4 U.K Ratings
Labels:
season 4,
U.K ratings
Thursday, 21 October 2010
America On 'Betty' And Facebook Fan Questions
Another America clip during her visit to Australia- she talks more about Ugly Betty and how she got the role, as well as her transition from that show to doing 'How To Train Your Dragon'. She also answers Facebook fan questions that users submitted recently.
This one is from Video Ezy Online taken from You Tube.
Labels:
america ferrera,
ugly betty
America's Interview On Sunrise
Here is the short interview with America on Sunrise - this was on the Yahoo!7 TV website:
She discusses briefly about Ugly Betty and How To Train Your Dragon, so it only lasted for under 10 mins. But as ever, it is still interesting.
My apologies to those of you who can't view the video.
She discusses briefly about Ugly Betty and How To Train Your Dragon, so it only lasted for under 10 mins. But as ever, it is still interesting.
My apologies to those of you who can't view the video.
Labels:
america ferrera,
ugly betty
Wednesday, 20 October 2010
America Appearing on 7's Sunrise on Thursday
I managed to find out on Twitter that America Ferrera will appear on the Australian breakfast show, Sunrise on Thursday morning, which is today's day in Australia. currently it is 7.07pm London time as I type this and it's now 5.07am in the morning in Sydney. Therefore, Australia are 11 hours ahead of us Brits, and 12, 13 hours or more ahead of those in the U.S.
Don't forget to make sure to tune in, if you are in Oz! :-)
Don't forget to make sure to tune in, if you are in Oz! :-)
Monday, 18 October 2010
Vanessa Loves Halloween
Vanessa Williams dresses up as Marilyn Monroe in an upcoming Halloween episode of Desperate Housewives. And you can bet that in real life she'll be slipping into a costume and celebrating huge on October 31st – she's a big fan of Halloween.
Vanessa tells People that she loves dressing up and throwing an annual costume party – she'll spend over four weeks preparing for the big night. "I start decorating October 1st. It's a favorite holiday for any kid, and I live through my kids," she says. "Plus it's a chance to dress up and be creative, and I love having parties...We do bobbing for apples and we watch scary movies."
And not only her younger kids get caught up in the excitement – her second daughter, Jillian, has big plans for her costume this year.
"My 21-year-old daughter called me today," Vanessa says. "She said, 'Mom, I'm gonna be you this year for Halloween - can you help me with my outfit?'"
Williams is also mother to daughters Sasha, 10, Melanie, 23 and son Devin, 17.
Celebrity Baby Scoop
Labels:
Vanessa Williams
Season 1-4 Episode Guides Finished!
The Ugly Betty episode guides for seasons 1- 4 are all completed: just completed the final season now and added it to the site.
Waiching
Waiching
Sunday, 17 October 2010
Interview With Vanessa Williams From Daily Record
Vanessa Williams on going from Desperate Housewives to life as a single mum of four
WHEN it comes to playing a bitch, Vanessa Williams is an expert.
She's spent years perfecting her nasty side as Ugly Betty's mag boss Wilhelmina Slater - now she's sharpening her claws as she prepares to walk amid the perfectly-manicured lawns of Wisteria Lane.
The 47-year-old is joining Desperate Housewives as Renee Perry, a rich and successful college friend with a barbed tongue - a 'frenemy' - of Lynette Scavo, played by Felicity Huffman.
She makes her bow tonight, paying an unexpected visit to the Scavo household, as the show begins its latest run on Channel 4. Her character likes it so much she decides to stay and Vanessa is delighted to be playing a mean girl once again.
She said: "Renee comes to visit because she's got some problems in her marriage.
"She is a New Yorker who is married to a Yankee and comes to Wisteria Lane because she used to be room mates with Lynette and they had a pretty racy past together as college co-eds.
"She likes Wisteria Lane so much that she buys a house down the street. She is there to stay and starts stirring things up.
"Those type of characters are a lot more fun to play than the realistic stuff. It's wonderful to have such fantastic dialogue and fantastic ensemble. It's a ball being able to have this character come to life - it's not like I have to do any major method acting and treat everyone like crap around there!
"The luxury of having great writers is it's on the page so it's just a matter of execution."
While she plays nasty all too well, in reality twice-divorced Vanessa says she does not have the time or energy.
The single mum is too busy flying back and forth from Los Angeles to her family home in New York to see her kids, Mel, 23, Jillian, 21, Devin, 17 and 10-year-old Sasha.
She has managed to stay close to her first husband, former manager Ramon Hervey, who, along with her parents, looks out for the children while she is busy at work.
Her second ex, former NBA basketball player Rick Fox, has recently been showing off his dancing skills on Dancing With The Stars, the American version of Strictly Come Dancing.
Doing it on her own means she really does know what it is to be a housewife, although as a single working mum she manages to keep desperation at bay when she has to be away from her family.
She said: "There is no balance. That's the first principle - it's not going to be balanced when you're working. You're not going to be able to be at home with your kids. When I'm at work, I try to get the kids to the set as much as possible. I love when people say, 'How was your time off?' My time off? My time off is doing what I would normally do as a mother of four.
"You have to make each moment work for you and surrender to the process. You can't be guilt-ridden. Every time I jump on a plane to head back to work, my kids know they'll see me as soon as possible. I'm never gone more than five days a week.
"Luckily it's built into my contract that I get Monday or Friday off, so at least I have a three-day weekend. That's how it works for now."
As the show returns for a seventh series, the residents of Wisteria Lane are stunned to discover that Paul Young is out of prison and back in the neighbourhood.
Meanwhile, Susan (Teri Hatcher) sees a glimmer of hope in getting her life back on the Lane when she's offered an unorthodox job.
Gabrielle (Eva Longoria) finds herself keeping secrets from husband Carlos and Bree (Marcia Cross) is tempted by her handsome young handyman.
Vanessa was particularly delighted to step into Wisteria Lane because Ugly Betty, the fashion comedy drama in which she appeared alongside America Ferrara and Scots star Ashley Jensen, had come to an end, cancelled after four seasons.
She said: "It is a smooth transition from Ugly Betty for me. As an actor you finish one series and go, 'Oh my God, I'm out of work' and luckily I had a wonderful Broadway show to jump into. Then I got a phone call from my agent, saying 'Marc Cherry wants to meet you' - he is the creator of the show.
"We sat down and he asked me if I'd like to be a character on the show. Four days later it was all sorted out."
From the outside, the female stars of Desperate Housewives appear a fairly formidable group but Vanessa says she has found them, and the rest of the cast and crew, both warm and welcoming.
She said: "They become like family. It's very similar to doing a Broadway show, doing eight shows a week with the same people, with the same roles and the same crew." Of course on Wisteria Lane, you have to look the part too and Vanessa works hard to stay in shape.
She said: "I have a trainer in New York and a trainer in LA. I have a food delivery service which I absolutely love and it just makes it easy. But you have to work and move your body, especially at 40 plus."
While she is no slave to fashion, Vanessa enjoyed her time as the ultra-fashionista with a heart of stone Wilhelmina on Ugly Betty and took away a load of tips.
She said: "Learn what looks suit you best and what you feel comfortable in, because there's always a way to make it work. If it's just a crisp white shirt that fits well and has some kind of detail with a great trouser and a great shoe, that might be it. Spend money on good shoes, that's the other tip - but don't hurt your feet.
"I can always pick out Donna Karan clothing because it looks comfortable and you just want to live in it. But there's not one particular person that I live by or think is absolutely timeless.
"You just have to pray and hope. I have my own style, which is more relaxed and casual than anything. I do think I have a fashion sense but I'm not obsessed with labels. I'm not a trend follower. That's pretty freeing. I can go from classic to bohemian and feel comfortable. I definitely love comfort."
Vanessa has also had a successful career as a singer, reportedly selling more than six million records and gaining 15 Grammy Award nominations.
As an actress, she has appeared on TV in a variety of shows including Saturday Night Live, Star Trek: Deep Space Nine and Ally McBeal and in films like Eraser with Arnold Schwarzenegger and Hannah Montana: The Movie with Miley Cyrus. It's been hard work but worth it.
She said: "Being professional is a big key - come prepared, and people want to work with you. I'm happy that I've been in the game for over 20 years. You've got to have a sense of humour about riding the times."
Desperate Housewives is on Channel 4 at 10pm tonight.
Celebrity Interviews: Daily Record
Oct 17 2010 Steve Hendry, Sunday Mail
Daily Record
She's spent years perfecting her nasty side as Ugly Betty's mag boss Wilhelmina Slater - now she's sharpening her claws as she prepares to walk amid the perfectly-manicured lawns of Wisteria Lane.
The 47-year-old is joining Desperate Housewives as Renee Perry, a rich and successful college friend with a barbed tongue - a 'frenemy' - of Lynette Scavo, played by Felicity Huffman.
She makes her bow tonight, paying an unexpected visit to the Scavo household, as the show begins its latest run on Channel 4. Her character likes it so much she decides to stay and Vanessa is delighted to be playing a mean girl once again.
She said: "Renee comes to visit because she's got some problems in her marriage.
"She is a New Yorker who is married to a Yankee and comes to Wisteria Lane because she used to be room mates with Lynette and they had a pretty racy past together as college co-eds.
"She likes Wisteria Lane so much that she buys a house down the street. She is there to stay and starts stirring things up.
"Those type of characters are a lot more fun to play than the realistic stuff. It's wonderful to have such fantastic dialogue and fantastic ensemble. It's a ball being able to have this character come to life - it's not like I have to do any major method acting and treat everyone like crap around there!
"The luxury of having great writers is it's on the page so it's just a matter of execution."
While she plays nasty all too well, in reality twice-divorced Vanessa says she does not have the time or energy.
The single mum is too busy flying back and forth from Los Angeles to her family home in New York to see her kids, Mel, 23, Jillian, 21, Devin, 17 and 10-year-old Sasha.
She has managed to stay close to her first husband, former manager Ramon Hervey, who, along with her parents, looks out for the children while she is busy at work.
Her second ex, former NBA basketball player Rick Fox, has recently been showing off his dancing skills on Dancing With The Stars, the American version of Strictly Come Dancing.
Doing it on her own means she really does know what it is to be a housewife, although as a single working mum she manages to keep desperation at bay when she has to be away from her family.
She said: "There is no balance. That's the first principle - it's not going to be balanced when you're working. You're not going to be able to be at home with your kids. When I'm at work, I try to get the kids to the set as much as possible. I love when people say, 'How was your time off?' My time off? My time off is doing what I would normally do as a mother of four.
"You have to make each moment work for you and surrender to the process. You can't be guilt-ridden. Every time I jump on a plane to head back to work, my kids know they'll see me as soon as possible. I'm never gone more than five days a week.
"Luckily it's built into my contract that I get Monday or Friday off, so at least I have a three-day weekend. That's how it works for now."
As the show returns for a seventh series, the residents of Wisteria Lane are stunned to discover that Paul Young is out of prison and back in the neighbourhood.
Meanwhile, Susan (Teri Hatcher) sees a glimmer of hope in getting her life back on the Lane when she's offered an unorthodox job.
Gabrielle (Eva Longoria) finds herself keeping secrets from husband Carlos and Bree (Marcia Cross) is tempted by her handsome young handyman.
Vanessa was particularly delighted to step into Wisteria Lane because Ugly Betty, the fashion comedy drama in which she appeared alongside America Ferrara and Scots star Ashley Jensen, had come to an end, cancelled after four seasons.
She said: "It is a smooth transition from Ugly Betty for me. As an actor you finish one series and go, 'Oh my God, I'm out of work' and luckily I had a wonderful Broadway show to jump into. Then I got a phone call from my agent, saying 'Marc Cherry wants to meet you' - he is the creator of the show.
"We sat down and he asked me if I'd like to be a character on the show. Four days later it was all sorted out."
From the outside, the female stars of Desperate Housewives appear a fairly formidable group but Vanessa says she has found them, and the rest of the cast and crew, both warm and welcoming.
She said: "They become like family. It's very similar to doing a Broadway show, doing eight shows a week with the same people, with the same roles and the same crew." Of course on Wisteria Lane, you have to look the part too and Vanessa works hard to stay in shape.
She said: "I have a trainer in New York and a trainer in LA. I have a food delivery service which I absolutely love and it just makes it easy. But you have to work and move your body, especially at 40 plus."
While she is no slave to fashion, Vanessa enjoyed her time as the ultra-fashionista with a heart of stone Wilhelmina on Ugly Betty and took away a load of tips.
She said: "Learn what looks suit you best and what you feel comfortable in, because there's always a way to make it work. If it's just a crisp white shirt that fits well and has some kind of detail with a great trouser and a great shoe, that might be it. Spend money on good shoes, that's the other tip - but don't hurt your feet.
"I can always pick out Donna Karan clothing because it looks comfortable and you just want to live in it. But there's not one particular person that I live by or think is absolutely timeless.
"You just have to pray and hope. I have my own style, which is more relaxed and casual than anything. I do think I have a fashion sense but I'm not obsessed with labels. I'm not a trend follower. That's pretty freeing. I can go from classic to bohemian and feel comfortable. I definitely love comfort."
Vanessa has also had a successful career as a singer, reportedly selling more than six million records and gaining 15 Grammy Award nominations.
As an actress, she has appeared on TV in a variety of shows including Saturday Night Live, Star Trek: Deep Space Nine and Ally McBeal and in films like Eraser with Arnold Schwarzenegger and Hannah Montana: The Movie with Miley Cyrus. It's been hard work but worth it.
She said: "Being professional is a big key - come prepared, and people want to work with you. I'm happy that I've been in the game for over 20 years. You've got to have a sense of humour about riding the times."
Desperate Housewives is on Channel 4 at 10pm tonight.
Celebrity Interviews: Daily Record
Labels:
other,
Vanessa Williams
Saturday, 16 October 2010
Culture & Identity In Ugly Betty
This is a short essay piece that I wrote a year ago for the Ugly Betty Fan Pop website; it wasn't for university, college or anything like that. It just dawned on me as I studied media a couple of years ago at college that being familiar with some concepts from media studies, as well as being a fan of Ugly Betty that I wanted to do an academic-style essay that looks at the ideas, themes, story-lines in the show which centres on culture and identity. Because Ugly Betty is a great example of a programme that looks at these ideas and issues and manages to incorporate and weave them into the story-lines and narrative and apply them. As well as explore them in a way that gets fans watching the show and tuning in.
Hope you will find this of interest, even if you know practically nothing about media studies concepts or have never studied media studies in your life; many of the ideas and terms I use here are very straightforward, generalised and easy to understand once you grasp them. :-)
*N.B: this is a slightly edited and extended version of the essay that was originally published on the Fan Pop site
Waiching
Themes of Culture and Identity Explored In Ugly Betty
*image owned by ABC
As a television show, Ugly Betty has been a worldwide success. From its original Columbian telenovela: 'Betty Le Fea', the show has spanned various international versions of this comedy. The most well known incarnation that is televised in the Western world is the US's Ugly Betty.
But what attracts viewers and fans especially to Ugly Betty per se isn't just the humour and the dramatic aspects of this series but the characters, story-lines and situations.
These characters, story-lines, situations all deal with and explore themes and concepts relating to culture and identity.
From Marc's sexuality to Betty's attempts to fit into a society, of which at the same time she is trying to maintain her cultural and ethnic roots. And it isn't just Marc and Betty: the other characters are also somewhat (cultural) stereotypes of what people perceive as the 'norm' in society- the so called bitchy (and dumb) blonde in Amanda, ladies man Daniel who has a habit in sleeping with women; the Scot Christina, the transsexual Alexis- Daniel's sister, who used to be a guy up until he had the sex change and became a 'she'; teen Justin's (blantant and) implied homosexual characteristics via the clothes he wears, his feminine voice and his interest in performing. Wilhelmina, the only Black African-American character, who is seen by many as the villian of the piece.
Even Hilda, who for a mother, is perceived as a slut for the way she dresses, and that she couldn't afford a college education because when she was a teen, she was pregnant and thus, had Justin. By the third, fourth season we see her opening and running her own beauty salon business.
From a cultural aspect, Ugly Betty is diverse in this area- this includes gay culture, Latino culture, femininity, fashion, class and celebrity and fame. It is rare to find a show as appealing and entertaining as Ugly Betty itself, whilst at the same time, as a cultural commodity- i.e TV show, it finds the time to highlight and acknowledge cultural and social ideas, within a dominant mass culture- i.e entertainment and as a means to inform the masses.
It realises that the message it is trying to convey is more than just 'beauty is only skin deep'. It is that of culture itself and its significance on other people and themselves and how it impacts them, on a general and personal level. In spite of the show being mainly about Betty, as she is the central character to which many of the story-lines tie in with, the significance and roles played by the supporting characters such as Marc, Amanda, Hilda, Christina, Justin etc is what also makes this show stand out from the rest in this respect, as we see each of their own situations and what they go through from their perspective.
Cultural theorist Stuart Hall once said that language use and the way people communicate to other people, works on the basis of institutions, power, class and wealth.
In applying that concept to Ugly Betty, the manner in which the likes of Wilhelmina, Marc, Amanda, Daniel and Christina interact with or behave towards Betty is often based on or down to their social or cultural status as individuals in society. It's not just what they say but the way they say it and how it comes off, and how that other person on the other end interprets it. Therefore, are they generally being mean, nice to her- or are they doing it just because she is Betty and she is different to everyone else? However, with say Daniel, he comes from a wealthy background and thus, we'd tend to associate wealth with arrogance and snobbiness. Yet Daniel is the opposite, as he treats Betty with respect and courtesy as a person. And Betty's influence on him is making him become a better human being.
A structural anthropologist, Belgian Claude Levi Strauss based his notion of culture and meaning, in reference to what he calls 'binary oppositions' where two sets of terms or concepts are joined in relation to each other. Examples of binary terms include black/white, male/female and young/old. Alas, meanings and ideologies are generated through the comparisons of two different- yet similar concepts.
In Ugly Betty, the binary oppositions as featured are beauty/ugly, gay/straight, hispanic/western culture, work/family and good/evil, as symbolised by Daniel and Betty (good) and Wilhelmina and Marc (evil). Another example of binary ops at work is the contrast between the clean White Mode offices and the bright and vibrant red, yellow and green colours which decorate the Suarez home.
In Betty Suarez, as much as it is argued that she is an outsider and she is having to conform to certain rules and standards at work, being the protagonist that she is, Betty is integral to the show because she is the main focal point within the programme. Despite her appearance and the bad clothes she wears, it is her down-to-earth, nature which keeps her grounded-, and she tries to use it to help the likes of Daniel, Marc and Amanda to change their negative ways and make them realise they do not lack compassion and heart as individuals.
It's interesting to note however that the likes of those characters rely on Betty and for her to help them get out of the mess they are in; as this shows that they manage somehow to see through the physicality of Betty and understand that deep down that there is a person who not only tries to do the right thing, but of whom wants to be there for others.
In a culture where how you look and the way you dress often determines whether or not you'll be accepted, the situations the characters find themselves in, say something about their individual personality, behaviour as well as social and cultural backgrounds. Ugly Betty is the type of TV show, which attempts to make inroads in emphasising that in a society where the dominant classes are making progress in every mass sector, the so-called lesser groups in society, i.e, ethnic minorities and gays and lesbians are just as much of a high priority.
Once branded the new face on television, Ugly Betty is making the type of positive impact it is attempting to achieve on audiences everywhere. Hopefully, through hard work the achievements and attempts by the characters, particularly by Betty, make them realise that anything is indeed possible.
Labels:
essay
University Professor To Write & Complie Studies On Latina Issues Via Ugly Betty
Professor Looks at Role of Latino Families in 'Ugly Betty,' Other Tv Sitcoms
Newswise — For a Kansas State University English professor, television sitcoms such as "Ugly Betty" provide more than an hour of entertainment. They also offer an analysis of the Latino family structure and its increasing prominence in sitcoms during the past decade.
Tanya Gonzalez, assistant professor of English, is writing several essays that relate to Latino culture and families as they are portrayed in entertainment, particularly in ABC's former show "Ugly Betty." Gonzalez and Eliza Rodriguez y Gibson, assistant professor of Chicano/a studies at Loyola Marymount University, are co-authoring the book "The Word on Ugly Betty: Latina/o Cultural Politics on Television." The book explores themes such as feminism, masculinity and immigration.
"The book is about using 'Ugly Betty' as a way to talk about Latina studies and Latina issues today," Gonzalez said.
Since 2002 ABC has become the leading network to develop Latino comedies, Gonzalez said, noting that current or former ABC shows such as "The George Lopez Show," "Ugly Betty," "Desperate Housewives" and "Modern Family" either focus on a Latino family or feature a Latino family. Even shows such as "Lost" and "Grey's Anatomy" have included Latino characters.
Gonzalez's latest essay, "Modern Familias? ABC, Comedy and Latino Masculinity on TV," focuses on representations of Latino masculinity in contemporary television. She presented her research earlier this year at the Pop Cultural Association conference in St. Louis, and will include the research in her book.
Gonzalez was inspired by the work of Richard Rodriguez, a University of Illinois associate professor who has closely researched the history, culture and patriarchal structure of the Chicano, or Mexican-American, family.
"Because we have all these comedies on ABC, I was curious to see how families and representations of family were either changing or producing the paradigm that Rodriguez traced from the past," Gonzalez said.
"In 'Ugly Betty' the father is always wearing aprons and cooking, and doing things that typically you would expect to see the mom in the show doing," Gonzalez said. "I thought that was very fascinating, especially thinking about Rodriquez's research about the traditional notion of patriarchy."
Gonzalez found "Ugly Betty" especially interesting because it achieved an unprecedented amount of success for television adaptations of Latin American shows.
An important part of her project is an emphasis on the comedy genre of television shows. "What is it about comedy that allows us to have nontraditional representations of family?" Gonzalez said. "Why is comedy the safe place for that to happen?"
In her research Gonzalez is finding instances on television shows where male characters exhibit "macho man" qualities, and times when they don't portray such qualities. She is also using information from pioneering feminist media studies critics, such as Mary Beltran, Isabel Molina-Guzman and Angharad Valdivia.
The book also will feature one of Gonzalez's previously published essays, "Is Ugly the New Sexy? The Complexities of Latina Sexuality on Ugly Betty," which discusses how Latina femininity is represented on television. The article was published in the fall 2010 issue of the journal Chicana/Latina Studies.
Several undergraduate students have been involved with Gonzalez's research. Two students in the Developing Scholars Program, Linda Jeanette Aldana, senior in life sciences, Garden City, and Michelle Foster, sophomore in political science, Lansing, are involved this semester. Jessica Reyes, a senior in English and history, Manhattan, helped Gonzalez through K-State's 2010 Summer Undergraduate Research Opportunity Program.
"This is a very interdisciplinary project," Gonzalez said. "I'm in the English department, and I do textual analysis. Since this project is about television, it's allowing me to use research from different areas and to develop an interdisciplinary approach to the project."
Newswise.com
"The book is about using 'Ugly Betty' as a way to talk about Latina studies and Latina issues today," Gonzalez said.
Since 2002 ABC has become the leading network to develop Latino comedies, Gonzalez said, noting that current or former ABC shows such as "The George Lopez Show," "Ugly Betty," "Desperate Housewives" and "Modern Family" either focus on a Latino family or feature a Latino family. Even shows such as "Lost" and "Grey's Anatomy" have included Latino characters.
Gonzalez's latest essay, "Modern Familias? ABC, Comedy and Latino Masculinity on TV," focuses on representations of Latino masculinity in contemporary television. She presented her research earlier this year at the Pop Cultural Association conference in St. Louis, and will include the research in her book.
Gonzalez was inspired by the work of Richard Rodriguez, a University of Illinois associate professor who has closely researched the history, culture and patriarchal structure of the Chicano, or Mexican-American, family.
"Because we have all these comedies on ABC, I was curious to see how families and representations of family were either changing or producing the paradigm that Rodriguez traced from the past," Gonzalez said.
"In 'Ugly Betty' the father is always wearing aprons and cooking, and doing things that typically you would expect to see the mom in the show doing," Gonzalez said. "I thought that was very fascinating, especially thinking about Rodriquez's research about the traditional notion of patriarchy."
Gonzalez found "Ugly Betty" especially interesting because it achieved an unprecedented amount of success for television adaptations of Latin American shows.
An important part of her project is an emphasis on the comedy genre of television shows. "What is it about comedy that allows us to have nontraditional representations of family?" Gonzalez said. "Why is comedy the safe place for that to happen?"
In her research Gonzalez is finding instances on television shows where male characters exhibit "macho man" qualities, and times when they don't portray such qualities. She is also using information from pioneering feminist media studies critics, such as Mary Beltran, Isabel Molina-Guzman and Angharad Valdivia.
The book also will feature one of Gonzalez's previously published essays, "Is Ugly the New Sexy? The Complexities of Latina Sexuality on Ugly Betty," which discusses how Latina femininity is represented on television. The article was published in the fall 2010 issue of the journal Chicana/Latina Studies.
Several undergraduate students have been involved with Gonzalez's research. Two students in the Developing Scholars Program, Linda Jeanette Aldana, senior in life sciences, Garden City, and Michelle Foster, sophomore in political science, Lansing, are involved this semester. Jessica Reyes, a senior in English and history, Manhattan, helped Gonzalez through K-State's 2010 Summer Undergraduate Research Opportunity Program.
"This is a very interdisciplinary project," Gonzalez said. "I'm in the English department, and I do textual analysis. Since this project is about television, it's allowing me to use research from different areas and to develop an interdisciplinary approach to the project."
Newswise.com
Labels:
other,
ugly betty
Friday, 15 October 2010
Michael Urie: I Don't Feel The Stereotyping & Typecasting Is Hurting My Career
Yet another good interview with Michael, this time from GaydarRadio of the U.K. As for whether he is or isn't gay- which shouldn't really be an issue itself as I couldn't care, well this interview will explain all:
GaydarRadio’s Neil and Debbie spoke to actor Michael Urie- best known for his role as Marc St. James, gay assistant to super bitch Wilhelmina in Ugly Betty – about the show's success, typecasting, and being out and famous.
Ugly Betty has been such a huge success.
It was the greatest four years I could imagine and I’m so sad that it’s over.
Is it true that, when you first auditioned for Ugly Betty, your part was only meant to be a one-off?
That’s right. The original idea was that Wilhelmina goes through assistants like Kleenex and she would have a new one every week. Actually, it was mostly Vanessa Williams who turned that around. She was so accepting of me being a part of the comedy - she would include me in bits and ask me for my opinion.
We became inseparable right away - I think the producers saw that and decided that would be the dichotomy. It’s not going to be that she’s so awful she has no allies, she’s gonna have this guy instead. Obviously for me it worked out really well. But I think for the story and characters it worked out really well too. It was unique.
That onscreen chemistry really brings something to a show, doesn’t it?
Absolutely, and that’s how I think this show lucked out in so many ways. I always said when we were doing it that any pairing of characters you threw together on that show brought some kind of interesting, unique magic, whether it was my character with Ashley Jensen’s character or the little kid with Vanessa – anything.
Did you base the character of Marc on anyone in particular?
You know, at first he was based on a few people that I knew. I knew people in fashion and I knew bitchy people I could draw from. Also, when I first got the job, I was still doing Shakespeare plays in rep. I was doing A Midsummer Night’s Dream, Titus Andronicus and Othello, and – believe it or not – the characters I was playing in those plays really helped inform Ugly Betty.
Interestingly, Ugly Betty – unlike most television – is sort of Shakespearean because the characters say what they’re going to do and then they do it. There’s not a whole lot of lying. In Shakespeare, people say what they mean and then they do it, and that’s sort of how we were in Ugly Betty. The bad guys are bad, the good guys are good.
"A casting director very early on in my career told me that you have to get typecast before you get cast – and I have definitely been pigeonholed and typecast now.
"
It’s good to play bad though, isn’t it?
Oh, it’s the best.
So did you get a call from production to say that you’d got the part?
My agent called me and she was very sneaky. I think I’d been in three times and we kind of thought I had it. It was one of those things where I thought, ‘I think I’ve got this job’. She called me up and she said, “Well, I really thought you had this one”. And I said, “Oh, not happening?” And she said, “No, it is”.
Did you have any concern about taking on the role of a gay character in a big show and how it might affect your career in the future?
When I took it, it was only a one-off, a small part, and it was a pilot, so I thought, ‘If this goes ahead, they probably won’t use me again because it really will only be this one thing’. So I wasn’t thinking that way.
But, truth is, I never really thought that way. I never really cared one way or the other. A casting director very early on in my career told me that you have to get typecast before you get cast – and I have definitely been pigeonholed and typecast now.
The truth is, I still have lots to do. I might not be playing Keifer Sutherland’s partner on 24, but I’ve still got plenty of options and the great thing about entertainment these days is that there are tonnes of parts for gay people. I could play only gay characters forever and still have lots of interesting things to do. Luckily, that’s not the case, but I don’t feel like the stereotyping and typecasting is really hurting.
"Regardless of whether an openly gay actor is actually on the frontline fighting the gay rights fight, just being famous and out is a form of activism."
You were very outspoken about the Newsweek journalist Ramin Setoodeh who basically said that if you’re gay, you can’t play straight.
Yeah, that was very frustrating. Actors in general and regardless of their sexual orientation are so restricted by look and type that we have such a disadvantage already. For someone to say that certain kinds of actors can only do certain kinds of things is so short sighted and so unfair to so many actors, especially actors who are activists just being who they are.
Regardless of whether an openly gay actor is actually on the frontline fighting the gay rights fight, just being famous and out is a form of activism and to tear them down for that is just cruel.
Rainbow Network.Com
Labels:
interview,
michael urie
Ugly Betty Voted Third In Most Inspirational Shows For Jobseekers In UK
Press Release October 2010: The Apprentice Most Inspirational TV show For Jobseekers
From Hirescores.com
New research by the UK's only dedicated recruitment agency review site has revealed that a third of Britons have been inspired to embark on their chosen career by a television show, with the most popular programme being The Apprentice. A further fifth of women admitted that they would like to have the career of one of the leading characters in the show Sex and the City.
A poll by the UK's only dedicated recruitment agency review site has revealed that a third of Brits have opted for their chosen career after finding inspiration in a TV show. The research revealed that The Apprentice was the show that inspired them the most to pursue a career in business.
The research was conducted by www.HireScores.com which wanted to investigate the reasons and factors behind jobseekers choosing a particular career. As a result, the site subsequently polled 1,286 members of the British public to find out.
When the site asked the question: 'what led you to choose the career you are in now?' 52% of respondents admitted that they had just ''fallen'' into their current profession, with over three quarters of these confessing that they now felt ''trapped'' in their day job. A third of respondents, 34% admitted that they opted for their current profession because of a TV show or film.
When these respondents were asked to stipulate which TV shows they were most inspired by the majority, 17% said that The Apprentice inspired them the most. When asked why 34% admitted that Lord Alan Sugar's wealth was the biggest attraction for having a career in business.
Masterchef came in second with 15% of respondents confessing that it had inspired them to pursue a career in food. Ugly Betty came in third with 13% of those polled confessing that it had led them to work in fashion, whilst just over 1 in 10, 12% confessed that their career related to music or performing arts was as a result of being inspired by the X Factor.The shows that have inspired jobseekers the most are:
1. The Apprentice - 17%
2. Masterchef - 15%
3. Ugly Betty - 13%
4. The X Factor - 12%
5. Sex and the City - 10%
6. Mad Men - 9%
7. Britain's Next Top Model - 8%
8. Other - 7%
9. Scrubs - 5%
10. CSI - 4%
Of the women that were surveyed, a fifth admitted that they were inspired by one of the main characters in the TV show Sex and the City, with a third, 36%, wanting to be a writer like Carrie Bradshaw, whilst a further 32% wanted to work in public relations like Samantha Jones.
Lisette Howlett, managing director of HireScores.com said;
"Looking at the factors behind a jobseeker choosing their career is quite often an interesting one, as no two stories are ever the same. It seems such a shame that over half of those polled just fell into their career with 76% of this group admitting that they now felt trapped."
She continued;
"The fact that so many people have been inspired by a TV show doesn't come as a huge surprise, as so many people look up to those they see on television.
When the site asked the question: 'what led you to choose the career you are in now?' 52% of respondents admitted that they had just ''fallen'' into their current profession, with over three quarters of these confessing that they now felt ''trapped'' in their day job. A third of respondents, 34% admitted that they opted for their current profession because of a TV show or film.
When these respondents were asked to stipulate which TV shows they were most inspired by the majority, 17% said that The Apprentice inspired them the most. When asked why 34% admitted that Lord Alan Sugar's wealth was the biggest attraction for having a career in business.
Masterchef came in second with 15% of respondents confessing that it had inspired them to pursue a career in food. Ugly Betty came in third with 13% of those polled confessing that it had led them to work in fashion, whilst just over 1 in 10, 12% confessed that their career related to music or performing arts was as a result of being inspired by the X Factor.The shows that have inspired jobseekers the most are:
1. The Apprentice - 17%
2. Masterchef - 15%
3. Ugly Betty - 13%
4. The X Factor - 12%
5. Sex and the City - 10%
6. Mad Men - 9%
7. Britain's Next Top Model - 8%
8. Other - 7%
9. Scrubs - 5%
10. CSI - 4%
Of the women that were surveyed, a fifth admitted that they were inspired by one of the main characters in the TV show Sex and the City, with a third, 36%, wanting to be a writer like Carrie Bradshaw, whilst a further 32% wanted to work in public relations like Samantha Jones.
Lisette Howlett, managing director of HireScores.com said;
"Looking at the factors behind a jobseeker choosing their career is quite often an interesting one, as no two stories are ever the same. It seems such a shame that over half of those polled just fell into their career with 76% of this group admitting that they now felt trapped."
She continued;
"The fact that so many people have been inspired by a TV show doesn't come as a huge surprise, as so many people look up to those they see on television.
Recruiter.co.uk
Comment: Ugly Betty Is An Escapist Route For Fans And People Wishing To Work In That World
This is a very interesting article and besides, who of us fans wouldn't want to work for MODE?! These findings are very intriguing though and shows that through TV shows such as Ugly Betty, people envisage themselves working in their dream or ideal job.
I'd love to work at a place like MODE and alongside characters such as Betty, Daniel, Willie, Marc and Amanda- however, my dream job would be in the arts as an artist as opposed to working in fashion, unless I chose to be a designer, like Christina for example.
Through the medium of TV for example, TV shows, but more-so programmes predominately set in the workplace, seeks to project a vision of what it considers to be the ideal working environment, or at least portray work-life as experienced by the characters and the problems, situations they encounter in their own way. Especially if it bears very little or no resemblance and relation to the actual working lives of people and/or of that particular industry.
If anything, Ugly Betty offers an 'escapist' route for the person who feels perhaps trapped in a job they are unhappy with and in doing; in watching the show, they see themselves in that Ugly Betty world and making connections and banter with the Mode characters that they'd not normally do in real life. By being subsumed in that 'world', and doing something they enjoy doing, they become more happy and content with themselves as a result of it. Therefore, it is not so much of a surprise that there are people who dream of their fantasy job, but also the ideal place for that to happen.
In particular with and in a TV series such as Ugly Betty.
Waiching
Labels:
other,
ugly betty
America To Appear on Channel 7's Sunrise Show in Oz
Attention all Australian Ugly Betty fans: just got this off You Tube and the Ugly Betty Live Journal Community- America Ferrera will be on the weekday breakfast show, Sunrise and talkshow The 7PM Project next week.
It doesn't say what day America will be appearing on the shows, so you'd have to tune in to find out. Hopefully, she will discuss more about Ugly Betty and her thoughts on it now that the series has ended.
Though do check your TV listings for more updates and details on this. Here's a promo clip from the Sunrise show:
It doesn't say what day America will be appearing on the shows, so you'd have to tune in to find out. Hopefully, she will discuss more about Ugly Betty and her thoughts on it now that the series has ended.
Though do check your TV listings for more updates and details on this. Here's a promo clip from the Sunrise show:
Labels:
america ferrera
Jack Black And America Ferrera Star In Ad For Healthcare For America Now
This has a political and social message behind it- I am not very familiar with the U.S's political policies and issues with the current Obama administration and judging by this video, it is a bit of a dig at some guy named Nathan Spewman. Of whom I am to believe is a republican candidate, but again like I said, I'm from the U.K so I'm not wary about the political goings on in America.
I don't know what to make of this: it is trying to be funny, but it isn't really. I think it is trying to send a message that Nathan Spewman's policies are not to be trusted and relied upon.
Nevertheless, it's definitely worth viewing still.
Labels:
america ferrera,
other
Could America Ferrera Be Making Her London West End Debut?
Ugly Betty's America Ferrera is on her way to the West End
By BAZ BAMIGBOYE
Last updated at 9:04 AM on 15th October 2010

Not so ugly: America Ferrera could be gracing the West End stage in a play about superficiality and beauty, just like in Ugly Betty
America Ferrera, who starred as Ugly Betty on television, is in talks to make her London theatre debut in a play that explores the same topics of inner beauty and outer superficiality that her hit show does.
Ferrera and fellow American Julia Stiles are favourites to star in Neil LaBute's scathing drama, reasons to be pretty (yes, it's deliberately in lower case), in the West End in the spring.
Howard Panter, joint managing director with Rosemary Squire of the Ambassador Theatre Group, declined to discuss the casting.
The drama ran on Broadway 18 months ago, and is expected to be in one of the group's London Theatres in March.
'It's about people being drawn to the superficial, and how we all get seduced by the surface - and how that can be a thorny path,' Panter told me.
America made a similar comment when Ugly Betty began back in 2006.
'it's so reassuring to have a heroine who triumphs with more than just what she has on the outside,' she said. 'To me, the tragedy about this whole image-obsessed society is that young girls get so caught up in just achieving that, they forget they have so much more to offer the world.'
Reasons to be pretty, which first played off-Broadway two years ago and was extensively revised for Broadway, is the final part of laBute's trilogy exploring the topic of appearances. Its precursors - The Shape Of Things and Fat Pig - were both staged in London.
Panter is producing reasons to be pretty with Tali Pelman. The pair were behind the recent production of The Misanthrope, which ran at the Comedy Theatre with Damian Lewis and Keira Knightley.
: Daily Mail Showbiz Article- Baz Bamingboye
I think after the success of Celebrity Autobiography with Michael Urie last week, I'm pretty certain many Betty fans from the U.K would love to see America perform in the West End, particularly if she lands the role in this play.
The plot and theme does sound remarkably similar to Ugly Betty, and yet it will be a completely different type of production altogether. Either way, it sounds interesting and worthwhile. And with America on board, this should be worth the ticket fee alone.
Labels:
america ferrera,
other
Thursday, 14 October 2010
Vanessa Williams To Fans: Renee is NOT Wilhelmina
Vanessa Williams: 'Renée is not Wilhelmina'
Wednesday, October 13 2010, 13:54 BST
By Ryan Love, Entertainment Reporter

ABC
The actress joined the ABC show as Renée Perry when Ugly Betty came to an end earlier this year.
"I think they are playing to an audience that expects something like that," she told RTÉ Ten of similarities between the two characters. "I think they want to make it as interesting and get as much bang for their buck in bringing people who are fans of mine and what I brought [to Ugly Betty] for the last four years to the Lane."
However, she added: "She is certainly not Wilhelmina, but she is no shrinking violet either."
Williams confessed that she is missing the wardrobe she was able to access while playing the Mode magazine editor-in-chief in Ugly Betty.
"Well, it certainly will never be like Wilhelmina again," she said. "I certainly miss the racks and racks of couture that were available on a per episode basis. There is really no comparison.
"On Desperate Housewives, we try to make Renée seem like she has money and make her different from the gals on the Lane."
Labels:
post-ugly betty,
Vanessa Williams
Ugly Betty Francise Still Thriving In South America
By Gloria Goodale, Staff Writer / October 13, 2010
In many other countries, she points out, such as Britain ("East Enders") or Latin America (the "Ugly Betty" franchise), soaps air at night, so they have a prime-time feel. "They can push the boundaries more than a daytime broadcast can," she says via e-mail.
Also, soaps are able to gain wide-ranging viewership because people are actually home at night, Ms. Quarles adds, versus in the US, where many people are working during the day and are not able to keep up or watch recorded episodes of soaps.
In Latin America, soaps are a cultural phenomenon. They provide water-cooler moments and are literally something most of their society watches or keeps up on, she says. Telenovelas are not long-running and wind up in less than a year. This creates must-see TV because there is an end in sight.
"In the US, our story lines can go on for decades and people know they can tune out for a year and then pick it up easily, which is not the case in Latin countries," Quarles says.
All Voices.com- Christian Science Monitor
Tuesday, 12 October 2010
Now Added: Social Networking Sharing Buttons In Each Post
I just added some social networking buttons, which can be located underneath each individual blog entry: they are email- so you can email the article to someone else-, blog this for blogging sites Blogger, WordPress, Posterous and Tumblr, as well as Twitter, Facebook and Google Buzz.
So if you find a post of interest for others that you might wish to share, click on one of those corresponding buttons!
So if you find a post of interest for others that you might wish to share, click on one of those corresponding buttons!
Ugly Betty Succeeded.... It Mattered To Us Because We Cared Enough For It
Comment:
Why Ugly Betty Mattered To The Fans From A Cultural, Social Perspective, and succeeded in that respect
*N.B: This is in response to the article and post written by Katherine Fung of the Huffington Post from April 14, 2010 'The Secret To Ugly Betty's Success'- which can be found on here
By Waiching
When Ugly Betty debuted in 2006 in the U.S, the first season exploded into life- it was heartfelt, warm, funny and was nothing like any other show at the time. This was also the first Western dramedy show to showcase the fish-out-of-water, fairy tale type of story; normally, this type of cartoon-y world would be seen in a kids animated show.
Ugly Betty was almost like a live-action version of a cartoon series- it was wild, out of bounds, colourful; it was shot differently, the way the show was depicted on-screen, there was an element of Saturday morning cartoon in it. You had bad guys, as well as good guys in it; the plots were very social, culturally-related to life, family, work, ethics, respect. It was, wholesome and families would enjoy it. Sure there were adult themes as well, such as homosexuality, but that for instance, was dealt in a very positive and encouraging way without demeaning the gay lifestyle itself. Especially when it handled the Justin storyline and his progress from the first season as a young boy to a male teen in the final season where he knows who he is as a person by coming out as being gay.
The way the main characters acted, behaved in different ways- you'd laugh, cry and sympathise with them. Throughout the 4 years, it has been a journey of finding out not just who this Betty Suarez is, but of the other characters in Wilhelmina, Marc, Amanda, Daniel, Justin, Hilda etc.
In spite of the mixed feelings that I do have regarding the entire series, I think what Ugly Betty succeeded in doing is emphasising cultural, socially- related plot-lines not just within a mainstream context but also via its culturally diverse cast. It told them in a way that resonated and appealed to audiences of every social and demographic background.
Therefore, I think the loss of Ugly Betty is a huge one, not just for us fans but for U.S TV in general.
Of course American audiences fell out of love with it, right during the middle of the third season onwards; it was painful for me to see viewing figures take a massive drop every week, no matter how much I wished this decline had stopped. It didn't, sadly. And frankly, moving it to Friday nights turned out to be the worst mistake because that had all but killed off the show, ratings-wise. Story-lines wise, the show was too-ing and fro-ing, going forwards and backwards; the levels of story-writing throughout was just so.... messy and inconsistent. And that is a crying shame, because had that high level of writing from the first season had maintained throughout, as well as the figures, then Ugly Betty would've been on air for another 2, 3 more seasons after season 4.
Still however, its impact elsewhere is immense. Like I pointed out in one of my other posts, though the series struggled consistently with the episodes and story-lines, what Ugly Betty was really good at was highlighting the issues, talking points that normally do not get addressed or highlighted in other mainstream TV series, especially in today's reality TV saturated world. Particularly throughout the first season.
Ugly Betty deserves credit for the fact it was so different to every other show around at the time and in portraying a so-called outsider/ social outcast- who wasn't physically attractive-, as a role-model to young people and to emphasise that being smart, successful and being beautiful comes from deep within yourself- and not through outer appearance. Seriously, what other TV show right now evokes strong, positive social messages with regards to not judging people for what they look like on the outside but at the same time make people laugh with the characters and making them feel good about themselves, personally? THERE ARE FRANKLY NONE. Most shows right now are either reality shows, shows about people sleeping with each other, shows about murder, people dying; i.e. set in a hospital. And that really is just depressing and says a lot about the sorry state of Western TV in this decade.
Race, LGBT... and Fame
It had a racially diverse cast with diverse story-lines - Ugly Betty took what was a Columbian telenovela, where it was originated and through that diverse cast- of whom are mostly Western based, the show hit a nerve with audiences from every part of the world, of every ethnicity, gender, age, sexual orientation and moulded its show into its very own. Not many had seen or heard of Yo Soy Betty, La Fea, the original version of Ugly Betty from Columbia. Not even me. But since the show ended, almost everyone had seen Ugly Betty, and the U.S version will go down as the most recognisable out of all those that have aired in the world.
Somehow, Ugly Betty's worldwide, global success kind of reminds me of another TV show, Fame where it ran longer than the latter show for 6 seasons during the 1980s. That is 2 more than Ugly Betty.
I say 'Fame' because even though both shows are completely different, in terms of its appeal, popularity, plot and narrative, from a (popular) cultural standpoint, like Fame itself Ugly Betty was more than just a TV show. Its success and impact in U.S and North America was then mirrored in parts of Europe, Asia, Africa, Oceania and beyond. Its fan-base became more global and diverse. There was merchandising and branding through T-shirts, DVD sales, posters to name. It was often the main talking point within the framework of cultural, media studies and popular studies.
Ugly Betty diversified the image of Latinos and the Hispanic community and the show became a voice for many fans, who are of Latino/Hispanic descent. Through the Suarez's, they were the quintessential bi-Mexican and American family, who through their strong, cultural roots were perceived to be very much grounded and level-headed compared to many of the Mode employees. Through the concept of diaspora, it showed how 3 Suarez children in Hilda (Justin's mother, Betty's elder sister), Betty and Justin (son of Hilda, nephew to Betty)- all born and raised in the U.S-, coped with life at home and beyond whilst retaining a strong sense of belonging in an American society through their social, as well as 'personal' identity as Latinos. And thus also taking care of their father, Ignascio, who was/is an immigrant from Mexico and of whom arrived in the U.S.
The show also gave voice to the LGBT- lesbian, gay, bi-sexual and trans-gendered community- a social group who rarely get as much as coverage and attention within mainstream Hollywood media and TV. Characters such as Marc and the trans-gendered Alexis - who were both openly gay and lesbian were not your so-called average drag-queen types, who'd act overly- flamboyant. They were both gay-yet were complete opposite characters from each other in terms of personality. Marc in particular has over the 4 seasons made a transition from being bitchy, flamboyant and mean into someone who is human, sensitive and cares for other people and their feelings. Gay characters on TV tend to be very effeminate, flamboyant and over-the-top in their manner, but thankfully the writers managed to 'humanise' Marc and not to turn him into an outright, blatant gay stereotype.
Why Ugly Betty Mattered To The Fans From A Cultural, Social Perspective, and succeeded in that respect
*N.B: This is in response to the article and post written by Katherine Fung of the Huffington Post from April 14, 2010 'The Secret To Ugly Betty's Success'- which can be found on here
By Waiching
When Ugly Betty debuted in 2006 in the U.S, the first season exploded into life- it was heartfelt, warm, funny and was nothing like any other show at the time. This was also the first Western dramedy show to showcase the fish-out-of-water, fairy tale type of story; normally, this type of cartoon-y world would be seen in a kids animated show.
Ugly Betty was almost like a live-action version of a cartoon series- it was wild, out of bounds, colourful; it was shot differently, the way the show was depicted on-screen, there was an element of Saturday morning cartoon in it. You had bad guys, as well as good guys in it; the plots were very social, culturally-related to life, family, work, ethics, respect. It was, wholesome and families would enjoy it. Sure there were adult themes as well, such as homosexuality, but that for instance, was dealt in a very positive and encouraging way without demeaning the gay lifestyle itself. Especially when it handled the Justin storyline and his progress from the first season as a young boy to a male teen in the final season where he knows who he is as a person by coming out as being gay.
The way the main characters acted, behaved in different ways- you'd laugh, cry and sympathise with them. Throughout the 4 years, it has been a journey of finding out not just who this Betty Suarez is, but of the other characters in Wilhelmina, Marc, Amanda, Daniel, Justin, Hilda etc.
In spite of the mixed feelings that I do have regarding the entire series, I think what Ugly Betty succeeded in doing is emphasising cultural, socially- related plot-lines not just within a mainstream context but also via its culturally diverse cast. It told them in a way that resonated and appealed to audiences of every social and demographic background.
Therefore, I think the loss of Ugly Betty is a huge one, not just for us fans but for U.S TV in general.
Of course American audiences fell out of love with it, right during the middle of the third season onwards; it was painful for me to see viewing figures take a massive drop every week, no matter how much I wished this decline had stopped. It didn't, sadly. And frankly, moving it to Friday nights turned out to be the worst mistake because that had all but killed off the show, ratings-wise. Story-lines wise, the show was too-ing and fro-ing, going forwards and backwards; the levels of story-writing throughout was just so.... messy and inconsistent. And that is a crying shame, because had that high level of writing from the first season had maintained throughout, as well as the figures, then Ugly Betty would've been on air for another 2, 3 more seasons after season 4.
Still however, its impact elsewhere is immense. Like I pointed out in one of my other posts, though the series struggled consistently with the episodes and story-lines, what Ugly Betty was really good at was highlighting the issues, talking points that normally do not get addressed or highlighted in other mainstream TV series, especially in today's reality TV saturated world. Particularly throughout the first season.
Ugly Betty deserves credit for the fact it was so different to every other show around at the time and in portraying a so-called outsider/ social outcast- who wasn't physically attractive-, as a role-model to young people and to emphasise that being smart, successful and being beautiful comes from deep within yourself- and not through outer appearance. Seriously, what other TV show right now evokes strong, positive social messages with regards to not judging people for what they look like on the outside but at the same time make people laugh with the characters and making them feel good about themselves, personally? THERE ARE FRANKLY NONE. Most shows right now are either reality shows, shows about people sleeping with each other, shows about murder, people dying; i.e. set in a hospital. And that really is just depressing and says a lot about the sorry state of Western TV in this decade.
Race, LGBT... and Fame
It had a racially diverse cast with diverse story-lines - Ugly Betty took what was a Columbian telenovela, where it was originated and through that diverse cast- of whom are mostly Western based, the show hit a nerve with audiences from every part of the world, of every ethnicity, gender, age, sexual orientation and moulded its show into its very own. Not many had seen or heard of Yo Soy Betty, La Fea, the original version of Ugly Betty from Columbia. Not even me. But since the show ended, almost everyone had seen Ugly Betty, and the U.S version will go down as the most recognisable out of all those that have aired in the world.
Somehow, Ugly Betty's worldwide, global success kind of reminds me of another TV show, Fame where it ran longer than the latter show for 6 seasons during the 1980s. That is 2 more than Ugly Betty.
I say 'Fame' because even though both shows are completely different, in terms of its appeal, popularity, plot and narrative, from a (popular) cultural standpoint, like Fame itself Ugly Betty was more than just a TV show. Its success and impact in U.S and North America was then mirrored in parts of Europe, Asia, Africa, Oceania and beyond. Its fan-base became more global and diverse. There was merchandising and branding through T-shirts, DVD sales, posters to name. It was often the main talking point within the framework of cultural, media studies and popular studies.
Ugly Betty diversified the image of Latinos and the Hispanic community and the show became a voice for many fans, who are of Latino/Hispanic descent. Through the Suarez's, they were the quintessential bi-Mexican and American family, who through their strong, cultural roots were perceived to be very much grounded and level-headed compared to many of the Mode employees. Through the concept of diaspora, it showed how 3 Suarez children in Hilda (Justin's mother, Betty's elder sister), Betty and Justin (son of Hilda, nephew to Betty)- all born and raised in the U.S-, coped with life at home and beyond whilst retaining a strong sense of belonging in an American society through their social, as well as 'personal' identity as Latinos. And thus also taking care of their father, Ignascio, who was/is an immigrant from Mexico and of whom arrived in the U.S.
The show also gave voice to the LGBT- lesbian, gay, bi-sexual and trans-gendered community- a social group who rarely get as much as coverage and attention within mainstream Hollywood media and TV. Characters such as Marc and the trans-gendered Alexis - who were both openly gay and lesbian were not your so-called average drag-queen types, who'd act overly- flamboyant. They were both gay-yet were complete opposite characters from each other in terms of personality. Marc in particular has over the 4 seasons made a transition from being bitchy, flamboyant and mean into someone who is human, sensitive and cares for other people and their feelings. Gay characters on TV tend to be very effeminate, flamboyant and over-the-top in their manner, but thankfully the writers managed to 'humanise' Marc and not to turn him into an outright, blatant gay stereotype.
Monday, 11 October 2010
Michael Urie Signed Calendar!! Woo-Hoo!!
Here is my Ugly Betty Calendar signed by Michael Urie, well the Marc part- interesting that Marc is October and Michael Urie signed it last Friday this month, October! Spooky huh? ;-) And before you ask, no it's NOT fake, nor forged. It's genuine. I was there that night to see him sign it in person.
And below is my receipt/print- out that I had to show on arrival at the theatre.
Labels:
celebrity autobiography,
michael urie
Huffington Post: Ugly Betty Had Universal Appeal
Found this really good piece on Ugly Betty- yes, it is a few months old but still worth a read, and Katherine touches on some important and valid points throughout:
The Secret To Ugly Betty's Success
When the curtain closes on Ugly Betty, fans will lose a show that's been hailed as ground-breaking and smart -- and equally important, one of the most beloved heroines and families on television today.
Though it came as little surprise after the show's sad move to Friday night and declining ratings, the January announcement of the show's cancellation was no less disappointing. Ugly Betty made its first splash with a heroine who didn't fit conventional standards of beauty. Throughout its run, it continued to draw accolades for its portrayal of Latinos, an immigrant family and gays and trans-genders. Echoing what fans have said since the show's debut in 2006, the Associated Press hailed "Ugly Betty" as ground-breaking last week. Laura Wides-Munoz writes:
Ugly Betty isn't the first show to star Latinos or a loving family with immigrant roots. In recent memory, George Lopez and Freddie, starring Freddie Prinze Jr. as a bachelor and established chef living with his Puerto Rican grandmother, sister, niece and sister-in-law, both featured positive Latino role models. When it comes to comparing TV shows, we can't deny that every step that challenges stereotypes of racial minorities is an important one. But what was different about Ugly Betty was that it was a prime time hit.
Where many shows with heavily minority casts failed, Ugly Betty succeeded. It was able to become a crossover hit, with non-Latinos comprising the majority of its audience, because it had a universal appeal. I loved watching Betty Suarez because she was the quintessential underdog. Who couldn't help but cheer as she went after her dream job, covered her boss's behind, and won the trust of her worst enemies and even a compliment from Wilhemina ("It's not terrible" on Shakira's photo shoot in the Bahamas)? No one could stop the girl from Queens.
I loved the platonic friendship between Betty and Daniel. Remember when Renee, Wilhemina's sister and Daniel's then jealous girlfriend, convinced him that Betty was in love with him in Season 2? To which Betty sarcastically retorted, "I just wish I could be your morning bagel so I could get caught between your beautiful, beautiful teeth."
I loved seeing Marc become an empathetic character as he guided Justin through turbulent times in high school. I loved watching Justin's renditions of Broadway musicals. And I loved watching the Suarez family.
After months of convoluted story lines, the penultimate episode was one of the best I've seen in a while. It reminded me of Ugly Betty's greatest elements -- the comedic and endearing Marc ("Hello, Aunt Spanish! You look bonita!") and Amanda ("How could I set up shop without my Sleeping Betty?"), and the poignant family moments (too many to list).
That Ugly Betty held a universal appeal was what drew millions of viewers to watch a show about "a Latino family in a non-stereotypical way." Tonight's finale leaves me wondering what networks will come up with next to fill the void left by the end of Ugly Betty. Will their attempts be able to achieve the same popularity? In 20 years, will we remember Ugly Betty as ground-breaking in the 2000s as The Cosby Show was during the 1980s? Maybe not.
But one thing's for sure: Ugly Betty's success can largely be attributed to the personal chord that it struck with its audience. Television networks would do well to remember this as they look for the next big hit -- no matter who it stars -- come fall 2010.
Huffington Post - Katherine Fung: The Secret To Ugly Betty's Success
The Secret To Ugly Betty's Success
Katherine Fung
Posted: April 14, 2010 04:12 PM
When the curtain closes on Ugly Betty, fans will lose a show that's been hailed as ground-breaking and smart -- and equally important, one of the most beloved heroines and families on television today.
Though it came as little surprise after the show's sad move to Friday night and declining ratings, the January announcement of the show's cancellation was no less disappointing. Ugly Betty made its first splash with a heroine who didn't fit conventional standards of beauty. Throughout its run, it continued to draw accolades for its portrayal of Latinos, an immigrant family and gays and trans-genders. Echoing what fans have said since the show's debut in 2006, the Associated Press hailed "Ugly Betty" as ground-breaking last week. Laura Wides-Munoz writes:
Betty Suarez was an educated, hard-working and family-oriented Latina, who was ambitious and career-driven. Such a character never existed before on American television, says Federico Subervi, a communications professor at Texas State University-San Marcos, where he's the director of the Center for the Study of Latino Media & Markets.
"The show has had an impact. It's diversified the images of Latinos on television. It's created a new role model for Latinos," Subervi says of the Betty character.
Ugly Betty isn't the first show to star Latinos or a loving family with immigrant roots. In recent memory, George Lopez and Freddie, starring Freddie Prinze Jr. as a bachelor and established chef living with his Puerto Rican grandmother, sister, niece and sister-in-law, both featured positive Latino role models. When it comes to comparing TV shows, we can't deny that every step that challenges stereotypes of racial minorities is an important one. But what was different about Ugly Betty was that it was a prime time hit.
Where many shows with heavily minority casts failed, Ugly Betty succeeded. It was able to become a crossover hit, with non-Latinos comprising the majority of its audience, because it had a universal appeal. I loved watching Betty Suarez because she was the quintessential underdog. Who couldn't help but cheer as she went after her dream job, covered her boss's behind, and won the trust of her worst enemies and even a compliment from Wilhemina ("It's not terrible" on Shakira's photo shoot in the Bahamas)? No one could stop the girl from Queens.
I loved the platonic friendship between Betty and Daniel. Remember when Renee, Wilhemina's sister and Daniel's then jealous girlfriend, convinced him that Betty was in love with him in Season 2? To which Betty sarcastically retorted, "I just wish I could be your morning bagel so I could get caught between your beautiful, beautiful teeth."
I loved seeing Marc become an empathetic character as he guided Justin through turbulent times in high school. I loved watching Justin's renditions of Broadway musicals. And I loved watching the Suarez family.
After months of convoluted story lines, the penultimate episode was one of the best I've seen in a while. It reminded me of Ugly Betty's greatest elements -- the comedic and endearing Marc ("Hello, Aunt Spanish! You look bonita!") and Amanda ("How could I set up shop without my Sleeping Betty?"), and the poignant family moments (too many to list).
That Ugly Betty held a universal appeal was what drew millions of viewers to watch a show about "a Latino family in a non-stereotypical way." Tonight's finale leaves me wondering what networks will come up with next to fill the void left by the end of Ugly Betty. Will their attempts be able to achieve the same popularity? In 20 years, will we remember Ugly Betty as ground-breaking in the 2000s as The Cosby Show was during the 1980s? Maybe not.
But one thing's for sure: Ugly Betty's success can largely be attributed to the personal chord that it struck with its audience. Television networks would do well to remember this as they look for the next big hit -- no matter who it stars -- come fall 2010.
Huffington Post - Katherine Fung: The Secret To Ugly Betty's Success
Labels:
thoughts,
ugly betty
America Ferrera: From Ugly Betty To Viking Bombshell
New on DVD America Ferrera, from ugly to Viking bombshell
NEW YORK (AP) -- America Ferrera got her break as a curvy teenager in "Real Women Have Curves" and broke into stardom as the lovely "Ugly Betty."
A few months before the hit ABC series reached its finale, the actress says she found some of herself in the blond Viking bombshell she voices in "How to Train Your Dragon," the DreamWorks Animation movie arriving Friday on DVD.
Based on Cressida Cowell's children's book, the 3-D movie follows the adventures of Hiccup (voiced by Jay Baruchel), the scrawny, misfit son of Viking chief and master dragon-slayer Stoick the Vast (Gerard Butler).
With no heart for killing these creatures, Hiccup discovers his skills as a dragon whisperer and becomes a local hero among the villagers and a rival for fierce classmate Astrid (America Ferrera), also his love interest.
"She's a fantastic actress and she has a very beautiful and powerful voice, and Astrid, the character that she plays, I think is a great role model," DreamWorks' CEO Jeffrey Katzenberg said. "We wanted to have somebody who could really deliver the strength and the power of a great Viking warrior woman and she did it beautifully."
The 25-year-old Ferrera talks about this new adventure and the end of the "Ugly" era.
Excerpts from the interview:
AP: It was refreshing to see you as someone so different from the actress we have seen before. How was it to play the bombshell in this movie?
FERRERA: It was really fun, you know. They had created the character Astrid before they cast me so I was just glad that they were very open minded to casting someone who didn't look like the character. ... It was nice to play something that wasn't really a version of me at all.
AP: This is not your first animated film. Can you tell us a bit about this particular experience?
FERRERA: It takes a while to get used to being in a studio and just having you and a microphone and no other actors to work off of. ... But once I did, it was freeing to just be able to play around.
AP: As different as you and Atrid are, do you find anything of her in you?
FERRERA: Definitely. In the way that Astrid wants to be the best of what she's doing regardless of whether she's a boy or not. You know, I was always the girl on the boys' baseball team, one of the only two girls in the Little League playing baseball, so I think there is a little bit of Astrid in me.
AP: What is the most powerful message for you in this movie.
FERRERA: It's about the Vikings and the dragons and how from the beginning of time all they've known is that they're each others enemies and they fight each other and no one really asks why. And the fact that Hiccup, the main character, dares to ask why turns the whole world upside down, and they realize that what they think is their enemy is actually their strongest partner.
AP: Do you think "Ugly Betty"ended too soon?
FERRERA: I don't think so. I mean, I think from the beginning I had a concern that we wouldn't get enough time to kind of complete her transformation. ... Could it keep on going? Maybe. But you know, I think we found a really good sort of peace with the character in her journey and now that it is the way it is it feels like it was always meant to be this way.
AP: Were you emotionally ready to leave Betty behind?
FERRERA: I don't know. I think that no matter when it happened I was going to be sad, because she's been a big part of my life, but yeah, I think that I'll be fine (laughs). I'm excited about the future and moving forward.
AP: Besides fame and recognition, what did Betty give you as an actress and as a person?
FERRERA: Being on the show and playing her gave me a place to really grow as an actor and show up every day and challenge myself again and know if I felt not great about the works that I did, I can always wake up the next day and come back and do it again.
Daily News Online- Entertainment
Sailing to Dragon Island in hopes of ending their centuries-long feud with the beasts once and for all, Chief Stoick the Vast (Gerard Butler, right) and blacksmith and Dragon Training drill sergeant Gobber (Craig Ferguson, left) prepare for the worst in "How to Train Your Dragon." (DreamWorks Animation)
Posted: Monday, October 11, 2010 1:15 am | Updated: 11:26 pm, Sun Oct 10, 2010.
By SIGAL RATNER-ARIAS Associated Press Writer | 0 comments
A few months before the hit ABC series reached its finale, the actress says she found some of herself in the blond Viking bombshell she voices in "How to Train Your Dragon," the DreamWorks Animation movie arriving Friday on DVD.
Based on Cressida Cowell's children's book, the 3-D movie follows the adventures of Hiccup (voiced by Jay Baruchel), the scrawny, misfit son of Viking chief and master dragon-slayer Stoick the Vast (Gerard Butler).
With no heart for killing these creatures, Hiccup discovers his skills as a dragon whisperer and becomes a local hero among the villagers and a rival for fierce classmate Astrid (America Ferrera), also his love interest.
"She's a fantastic actress and she has a very beautiful and powerful voice, and Astrid, the character that she plays, I think is a great role model," DreamWorks' CEO Jeffrey Katzenberg said. "We wanted to have somebody who could really deliver the strength and the power of a great Viking warrior woman and she did it beautifully."
The 25-year-old Ferrera talks about this new adventure and the end of the "Ugly" era.
Excerpts from the interview:
AP: It was refreshing to see you as someone so different from the actress we have seen before. How was it to play the bombshell in this movie?
FERRERA: It was really fun, you know. They had created the character Astrid before they cast me so I was just glad that they were very open minded to casting someone who didn't look like the character. ... It was nice to play something that wasn't really a version of me at all.
AP: This is not your first animated film. Can you tell us a bit about this particular experience?
FERRERA: It takes a while to get used to being in a studio and just having you and a microphone and no other actors to work off of. ... But once I did, it was freeing to just be able to play around.
AP: As different as you and Atrid are, do you find anything of her in you?
FERRERA: Definitely. In the way that Astrid wants to be the best of what she's doing regardless of whether she's a boy or not. You know, I was always the girl on the boys' baseball team, one of the only two girls in the Little League playing baseball, so I think there is a little bit of Astrid in me.
AP: What is the most powerful message for you in this movie.
FERRERA: It's about the Vikings and the dragons and how from the beginning of time all they've known is that they're each others enemies and they fight each other and no one really asks why. And the fact that Hiccup, the main character, dares to ask why turns the whole world upside down, and they realize that what they think is their enemy is actually their strongest partner.
AP: Do you think "Ugly Betty"ended too soon?
FERRERA: I don't think so. I mean, I think from the beginning I had a concern that we wouldn't get enough time to kind of complete her transformation. ... Could it keep on going? Maybe. But you know, I think we found a really good sort of peace with the character in her journey and now that it is the way it is it feels like it was always meant to be this way.
AP: Were you emotionally ready to leave Betty behind?
FERRERA: I don't know. I think that no matter when it happened I was going to be sad, because she's been a big part of my life, but yeah, I think that I'll be fine (laughs). I'm excited about the future and moving forward.
AP: Besides fame and recognition, what did Betty give you as an actress and as a person?
FERRERA: Being on the show and playing her gave me a place to really grow as an actor and show up every day and challenge myself again and know if I felt not great about the works that I did, I can always wake up the next day and come back and do it again.
Daily News Online- Entertainment
Labels:
america ferrera,
post- ugly betty
Sunday, 10 October 2010
20 Fun and Interesting facts On... Amanda Tanen and Becki Newton
Here are 20 facts on character Amanda Tanen Sommers and the actress who plays her, Becki Newton compiled from various sources:
Amanda Tanen
Becki Newton

Image owned by ABC 2009
Amanda Tanen
- Amanda is a combination of both Patricia Fernandez and Marcela Valencia from the Mexican telenovela, Betty La Fea.
- She was a former receptionist- now turned stylist, who is best friends with Marc St James.
- Amanda and Henry both have one thing in common- they each share the same surname as the UB writers Brian Tanen and David Grubstick
- She was born on January 14 1982 and raised in the Hamptons, Long Island
- Amanda was once the ex-lover of Daniel Meade- they had an on-off relationship during season 1 which was later rekindled in season 4. After finding herself in a love triangle with Daniel, Tyler, Claire's son and Daniel's brother, in the end she decided to not to opt for either of them, rather to end her relationships with both Daniel and Tyler.
- She tends to go on eating binges whenever she feels threatened or panics, as a way to control her insecurities - best examples of this, watch episode 4 Fey's Sleigh Ride, Secretaries Day from season 1, How Betty Got Her Grieve Back in season 2
- Despite coming off as being 'ditzy' and conceited, she tends to be quite intelligent and has a good heart
- Before she worked at Mode, her previous job was working as an actress and appeared in a commercial for the Middle Ages restaurant (Hence, the episode Secretaries Day in season 1 where Marc plays a video of her promoting the eatery- kids under 12 eat free on Sundays! Hehe!! :-)
- Amanda once had a dog named Halston, who once belonged to Fey. She looked after him but he later died
- In season 4, she finally buried the hatchet with Claire Meade, Daniel's mother, as well as found her long- lost father.
Becki Newton
- Born on July 4th, 1978 as Rebecca Sara Newton in New Haven, Connecticut, she was raised in Guildford, Connecticut and is of English descent.
- Started performing in local productions and theater at the age of 13.
- Graduated with a BA in European History at the University of Pennsylvania, USA. During her 3 yr stint at uni, she spent a few semesters in parts of Europe.
- Becki can speak 4 languages: as well as English, she is native in Spanish, German and Greek! Smart girl!
- She moved to New York from her home-town and landed several roles in commercials and bit-parts in TV shows.
- Her favourite movie is Dirty Dancing.
- She made her first TV début in an episode of Cold Case in 2003.
- She has a brother named Matt- of whom played Marc's boyfriend, Troy in season 4 of Ugly Betty. He too is an actor.
- She is currently starring in NBC's romantic comedy Love Bites in a leading role, since the cancellation of Ugly Betty.
- Is currently married to another actor, Chris Diamantopoulos, of whom she first met in a New York subway! Becki is also about to give birth to their first child.
*collated from IMDb and Wikipedia

Image owned by ABC 2009
Labels:
amanda,
becki newton
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